Impressionism and Impressionist Artists in Normandy

Claude Monet. The Church at Vétheuil. 1878. Oil on canvas. 65 cm x 56 cm. © National Galleries of Scotland.

In 1878, Claude Monet moved his family to Vétheuil, a small village on the Seine River to the west of Paris. When they moved to the village, Monet’s wife Camille was already seriously ill, and she was to die there the following year. Camille Doncieux is buried in the old cemetery in Vétheuil. Monet stayed on in the town until 1881. While there he painted over a hundred canvases of the village, the Seine and the Church. These paintings are now spread all over the world, such as the one above which is now in Scotland.

Monet painted the Romanesque church in Vétheuil quite frequently. He was not attracted to its appearance or anything particular about its architecture, but rather the effects of light on its façade at different times of the day, at different times of the year. Monet would return to the painting of ecclesiastical façades, in particular the Rouen Cathedral, in the 1890s.

Claude Monet. The church of Varengeville, effect of morning. 1882. Oil on canvas. 60 cm x 73 cm. Private Collection.

Of all the 90 or so paintings Claude Monet is said to have done while staying in Pourville during the winter and again in the summer of 1882, my favourite is definitely The Church of Varengeville, Effect of Morning (above). For me, it is one of those paintings that so epitomises the impressionist project, from the manner in which it was created to the finished product’s title, ‘the effect of morning’. [Read more →]

Claude Monet. The Japanese Footbridge [Le Pont japonais]. c. 1920–22. Oil on canvas. 89.5 cm x 116.3 cm. © The Museum of Modern Art, New York. Grace Rainey Rogers Fund.

Review of ‘Monet’s Water Lilies’ at MoMA, New York

It took me a long time to get down to the much-loved exhibit of six of Monet’s late garden paintings, created in his 70s and 80s at Giverny. Fortunately, though the one large exhibit room was crowded, one could still spend some time with the paintings which I did. [Read more →]

Claude Monet, Plage de Pourville, 1882. Oil on canvas (60 X 73 cm). © National Museum in Poznań, Poland.

Writing about the recovery of Poland’s only Monet painting, The Beach at Pourville (Plage de Pourville), recently got me doing more research on his time on the Normandy coast. Most people, with even the slightest interest in Monet’s work, are aware of his house and gardens in Giverny and that he made a few paintings along the Normandy coast. But the time Monet spent on the Normandy coast over a period of 7 years produced a group of paintings that far outnumber all others. And one of his more prolific years was 1882 when he spent a few months at Pourville in Winter, and then returned there later with his family in the summer. [Read more →]

Claude Monet. London, Parliament: sun through the fog
[Londres, le Parlement: trouée de soleil dans le brouillard]. 1904. Oil on canvas 81 cm x 92 cm. © Musée d’Orsay, Paris.

I recently visited Canberra and went to the National Gallery of Australia to see the Masterpieces from Paris: Van Gogh, Gauguin, Cézanne and beyond exhibition that is on loan from the Musée d’Orsay in Paris. This exhibition has attracted record-breaking attendances for an exhibition in that Gallery (it now stands in excess of 250,000 attendees). After Canberra the exhibition tours to Tokyo and San Francisco before returning to Paris. [Read more →]

“We predicted that we would get 250,000 people, but we didn’t predict that we would get 250,000 people six weeks before the finish of the exhibition and before Easter,” he said. “So we’re very thrilled about that.” Ron Radford, Director National Gallery of Australia, 2010.

The summer exhibition at the National Gallery of Australia, Canberra, has broken previous attendance records. The exhibition opened 4 December 2009, and on Friday 26 February Ron Radford, Director of the National Gallery, personally welcomed the 250 000th visitor. According to tourism statistics, around 70% of the visitors are from outside Canberra. The previous record was set in 1992, with Rubens and the Italian Renaissance which attracted 241 770 visitors. [Read more →]

“… Snow, and more snow, there is at least 4 inches, and it is freezing, it is starting to get us down and Monet is full of sighs because Félix Breuil [Monet's Head Gardener], say that ‘everything is lost.’ In any event, lots of frozen roses and poor tulips and hyacinths which were just coming up are all definitely damaged. Well, it’s a disaster …” Alice Monet, 4 March 1909*

101 years ago, almost to the day, the weather here in Normandy was terrible, if Alice’s letter to Germaine Salerou is anything to go by. Our winter that has just passed has been long and hard – even the seasoned locals agree. And if it was not for the green shoots I am now seeing in my garden, I would be full of sighs too. The forecast for today was welcome news indeed. So in need of a day out I thought I would spend today going along the Normandy coastline visiting some of the main Monet and impressionist related sites – a perfect day out for the guests who are lovers of impressionism while staying at Basse Copette. And of course there are lots of other wonderful things to see and do along the way as well. [Read more →]

The entrance to the Musée des Impressionnismes, Giverny.

The main attraction in Giverny is obviously Monet’s house and gardens. But any visitor to Giverny really should not miss the new impressionist museum. The Musée des Impressionnismes Giverny opened its doors 1 May 2009, taking over from the Terra Foundation’s Museum of American Art in Giverny. [Read more →]

Claude Monet, Plage de Pourville, 1882. Oil on canvas (60 X 73 cm). © National Museum in Poznań, Poland. Stolen from the Museum in 2000, and recovered by Polish Police 12 January 2010.

Monet’s Plage de Pourville, painted in 1882 and stolen in 2000 from National Museum in Poznań, Poland, was recently recovered by the Polish police and presented to an eager press-pack in Poznań. And yesterday, 1 March, the man who stole Poland’s only painting by Monet was placed under psychiatric observation. [Read more →]

“My garden is my most beautiful masterpiece.” Claude Monet.

For almost 43 years, from 1883 to 1926, Claude Monet lived in Giverny, Normandy. There he combined his passion for colour, flowers and gardening and created one of the now most famous and well known historical gardens in World. A garden that most people know having seen reproductions of his wonderful paintings. [Read more →]